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                <text>It was Billy's Birthday, and we asked him if he wanted to meet for lunch on their way to Pittsfield. We told him we'd be happy to go to the Italian Restaurant which we usually never want to go to, but that Billy likes a lot. Cathy ordered something she liked quite a bit, which means going back will be a little easier. We brought Billy Isaac Mizrahi's new memoir as a present.</text>
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                <text>Peter Charlap invited Sophia Narrett to be a Claflin speaker at Vassar College.  He arranged dinner at Mole Mole.  For the past years, we have been having large dinners of around 20 people after the artist lectures.  Peter went to a dinner recently, which was much smaller and he thought it was better.  So he told the students that the first five who signed up could come to dinner.  Three students signed up.  One of the students at dinner mentioned that some of the other students thought it was too much trouble to go to the building where the sign-up sheet was located.  Because the signup was located in the same building where their studios are, this was a bit troubling to hear. I also felt that it indicated that some of the students who attended previous dinners were not enthusiastic enough to make any effort beyond simply showing up.  Despite my feelings about all of this, the smaller dinner was more enjoyable and allowed everyone to take part in the conversations and at least hear what other people were saying.  Sophia gave a good, well-prepared lecture.</text>
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                <text>Vibha Nagrath Dhingran3/27/2019nnVibha Nagrath Dhingra, age 74, of Nashua, NH, formerly of Winchester, passed away on March 27, 2019. nVibha was born in her grandfather Lala Ralya Ram Nagrath‘s home on Keeling Road, New Delhi, India on September 21, 1944. Despite losing her mother, Jasmati Devi Nagrath, when she was only six month’s old and her father Inderjit Nagrath, when she was only four, Vibha had a happy childhood in her grandfather’s house. She and her older sister Abha, were lovingly raised by their younger brother Ranjit Nagrath’s mother Savitri Devi Nagrath and were lucky to have the love and care of a large extended family including their grandparents and many aunts, uncles and cousins. nnVibha attended boarding school in the foothills of the Himalayas from the age of four. She completed her elementary, secondary, and collegiate studies at the Sacred Heart Convent School in Dalhousie. Her lifelong love of nature and her indelible connection to the mountains began there. nnIn 1966, at the age of 22, she married Satish Dhingra and they moved, first to Canada, and then to the United States. While Satish pursued his master’s degree, Vibha got her green card and her first job, as a clerk in the computer lab at MIT. nnVibha and Satish welcomed their first son, Anand in 1969 and their second son, Vivek in 1976 and just six months later, Vibha became a citizen of the United States. After living in Cambridge and Belmont, they settled in Winchester, MA in 1978. When they separated in 1980, Vibha became a single mother. After being a stay-at-home mom for many years, Vibha worked tirelessly to support her sons. She never remarried, singular in her focus on her children and her desire to maintain her independence. In 1983 Vibha completed her MBA from Suffolk University. nnDespite their divorce in 1986, Vibha maintained a cordial relationship with her ex-husband, until his death in November 2017. After a successful career in corporate accounting, Vibha retired in 2009 and moved to Nashua, NH. She spent the last year at Apple Valley Center in Ayer, MA where she made many friends among the staff and residents. nnVibha loved animals, especially dogs. She enjoyed international travel and learning about history</text>
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                <text> as well as many cousins, in-laws, nieces and nephews and countless friends. nnRelatives and friends are kindly invited to attend a Memorial Service to be held at Costello Funeral Home, Saturday April 6th 2019 from 1pm to 2pm. Visiting hours will follow the service from 2pm to 5pm. nSign	n Driving Directions	Print PagenSharenCostello Funeral Homen177 Washington StreetnWinchester, MA USA 01890n781-729-1730nHOME / BACK</text>
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                <text>Acclaimed American painter and teacher, died on Saturday, April 9th at Beth Israel Hospital, age 76. She was ill for several years, but the immediate cause of death was pneumonia. Harriet was Professor Emerita at the School of Art and Design at Purchase College. She was known for large-scale realistic still life paintings that were full of light and color. Harriet was also an extraordinarily gifted writer and poet. She leaves her husband Jim Long, daughters Ruth and Sasha, three grandchildren and her brother Bill Shorr. Harriet grew up in Sea Gate in Brooklyn and is remembered with pride and love by her childhood friends Roberta, Simmie and Linda.nnPublished in The New York Times on Apr. 14, 2016</text>
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                <text>CONSAGRA--Francesca. Curator Emerita at the Blanton Museum of Art, died peacefully in Austin on December 16, 2018 after a valiant battle with ovarian cancer. She was 60. A daughter of Pietro Consagra, one of Italy's most prominent post-war abstract sculptors, and Sophie Chandler Consagra, Director and President of the American Academy in Rome, Francesca embodied the best of both cultures and families in her wonderful blend of sophisticated creativity and down- to-earth pragmatism. A brilliant scholar and curator of Italian Baroque and Northern Renaissance prints and paintings, Francesca brought deep passion and intellectual rigor to all she did. After graduating cum laude from Connecticut College, she received her Ph.D. in Art History from Johns Hopkins University. Following fellowships at the National Gallery, the Metropolitan Museum, and the Philadelphia Museum of Art, Francesca was appointed the Philip and Lynn Straus Curator of Prints and Drawings at the Frances Lehman Loeb Art Center, Vassar College, where she was also a member of the faculty in the Art Department. From 1999-2008, she served as Curator and Head of the Department of Prints, Drawings, and Photographs at the Saint Louis Art Museum and subsequently became the Senior Curator at the Pulitzer Foundation for the Arts. In 2012, Francesca joined the Blanton Museum of Art at the University of Texas at Austin, where she was the Senior Curator of Prints, Drawings, and European Paintings. Her numerous exhibitions and publications reflected Francesca's broad historical and cultural knowledge as well as her gift for communicating complex ideas with grace and eloquence. Francesca's warmth, kindness, intelligence, and love of life were reflected in her fervent engagement with the world around her. Beauty in its many forms filled her soul, from a master drawing or a second-century Buddha, to a 'Sconset sunset or a swim off the beaches of Crete. Francesca was deeply loved by her family and friends, who treasured her generosity of spirit, her commitment to the greater good, her fabulous sense of humor, her resolute honesty, her courage, and her strength. Francesca is survived by her husband William Herndon, the love of her life, and her beloved son John Ray.nnPublished in The New York Times on Dec. 21, 2018</text>
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                <text>1954-October 30, 1995 nnAbout the ArchivenThis is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.nOccasionally the digitization process introduces transcription errors or other problems. Please send reports of such problems to archive_feedback@nytimes.com.nnnNovember 1, 1995, Page 00019The New York Times ArchivesnnJeffrey Schaire, a former editor in chief of Art and Antiques magazine, died on Monday at his home in Manhattan. He was 41.nThe cause was AIDS, said his sister, Paula.nMr. Schaire was born in Fresh Meadows, Queens. He graduated from the State University College at Binghamton and earned a master's degree in English literature from the University of British Columbia in Vancouver. After working at Farrar, Straus &amp; Giroux and at Harper's magazine, he joined Art and Antiques in 1983, and became editor in chief in 1987.nUnder his guidance, the magazine invited M. F. K. Fisher, D. M. Thomas, John Updike, Pete Hamill and others to write on art, and broke the story of Andrew Wyeth's unknown "Helga" paintings. After resigning in 1992, Mr. Schaire served briefly as editor of Body Positive, a magazine for those infected with the H.I.V. virus.nIn addition to his sister, of San Francisco and Manhattan, he is survived by a brother, Scott, of Atlanta.nA version of this obituary</text>
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                <text>FLOWERS &amp; GIFTSnJoan L. Hull, 91, of Rhinebeck and formerly Hyde Park, passed away on November 5, 2018.nn nnBorn in Brooklyn, New York on August 11, 1927 to Christine and J. Parker Hull, Joan grew up on an apple farm in Clintondale, New York. nn nnAs a young girl, Joan, attended Westtown School in Westtown, Pennsylvania graduating in 1945.  In 1949 Joan earned a degree from Earlham College, Richmond, Indiana and continued her education at Katherine Gibbs School, New York, New York, graduating in 1951.  Afterwards, Joan moved to Hyde Park, New York with her parents and began working at Western Publishing Company, Poughkeepsie, New York in 1952.  While at Western Publishing she was employed as an executive secretary until her retirement in 1982.  Joan continued her career as an administrative assistant in the art department at Vassar College until 1992 after which she retired and took up residence in Rhinebeck, New York.  Joan always said her years working with the art faculty at Vassar were her greatest joy and best memories.nn nnAfter retirement, Joan developed a passion for genealogy and spent countless hours searching historical records, compiling information from grave site tombstones, and documenting cultural and historic data from Friends’ Cemeteries.  Additionally, Joan was a golfer and enjoyed her membership at Dutchess Golf Club in Poughkeepsie.nn nnJoan touched many people.  She was a loyal friend to many and a devoted daughter who took great care of her parents until their passing. She loved a good laugh and enjoyed sipping an occasional Canadian Club with friends. Her laugh and sense of humor will be remembered, always.  Her later years were spent quietly at the Baptist Home at Brookmeade in Rhinebeck, New York where she died peacefully.nn nnJoan is survived by many dear friends.nn nnThere are no calling hours.</text>
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                  <text>This section is pretty self-explanatory.  Like just about with everything on this site I am way behind.  If this site gets to stay active after I die (this possibility sits with Vassar College), eventually everyone on the site could be in this section.  I am thinking if it stays active, whether I would like to have someone else add people to this section as they die, including me.  Of Course this information would have had to cross their paths. That is something I need to think about.  If I arrange for that to happen I would have that person or those people indicate that they are the ones who added a particular name.</text>
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                <text>The New York TimesnBy Ken JohnsonnFeb. 10, 2013nnRichard Artschwager, a painter and sculptor whose witty, contradictory mixing of artistic genres made him one of the most critically admired artists to emerge in the 1960s, died early Saturday in Albany. He was 89.nnHis death, at a hospital, followed a recent stroke, his wife, Ann, said.nnThe death also followed by less than a week the closing of a career retrospective of Mr. Artschwager’s work at the Whitney Museum of American Art in Manhattan, his second to be mounted there. He lived in Hudson, N.Y., in Columbia County.nnAt a time when most artists worked in clearly determined styles, Mr. Artschwager slyly confounded the usual categories. His most famous sculpture, “Table With Pink Tablecloth,” from 1964, is something of a cross between Pop Art and a Minimalist cube by Donald Judd: a box neatly veneered with pieces of colored Formica to create the image of a wooden table with a square pink tablecloth draped on it.nnMr. Artschwager went on to produce variations on the forms of chairs, tables, doors and other domestic objects in styles ranging from severely geometric to surrealistically distorted.nnIn the late 1960s, he invented an abstract form he called a “blp,” a small, black, oblong shape that he would recreate in various materials and install in unexpected places to punctuate, mysteriously, gallery and museum spaces. He also placed dozens of “blps,” in the form of reliefs, stencils or decals, outside museums for viewers to go hunting for or stumble upon. Some are to be found on the elevated High Line park in Lower Manhattan near the site of the Whitney’s future home.nnMr. Artschwager’s paintings were often paradoxical. He painted black and white copies of found photographs — group portraits, pictures of buildings and other anonymous images — on textured Celotex panels, a common building material. Ostentatious frames made of painted wood, Formica or polished metal were usually part of the total piece.nnHe once said: “Sculpture is for the touch, painting is for the eye. I wanted to make a sculpture for the eye and a painting for the touch.”nnRichard Ernst Artschwager was born on Dec. 26, 1923, in Washington. His father, a German immigrant, was a botanist, trained at Cornell University</text>
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                <text> his mother, a Ukrainian immigrant, was an artist who studied at the Corcoran School of Art in Washington and at the National Academy of Design in New York. In 1935, the family moved to Las Cruces, N.M., a better climate for the artist’s father, who had tuberculosis.nnLike his father, Mr. Artschwager studied at Cornell, concentrating on mathematics and sciences, though he was deeply interested in art. Before completing his degree he was drafted into the Army in 1944 and saw combat in Europe, suffering a slight wound at the Battle of the Bulge. Afterward he was assigned to counterintelligence in Vienna, where he met and, in 1946, married his first wife, Elfriede Wejmelka.nnBack in the United States after the war, Mr. Artschwager completed his bachelor’s degree at Cornell but soon, with his wife’s strong encouragement, decided to become an artist. He moved to New York and began attending the Studio School of the painter Amédée Ozenfant, who, along with Le Corbusier Foundation in Paris, had founded a form of late Cubism called Purism.nnBy then the couple had a child, and Mr. Artschwager supported his family as a bank clerk and then a furniture maker.nnIn the early ’50s he stopped making art and went into business building furniture until a fire destroyed his workshop in 1958. Resuming art making, he had his first exhibition — of paintings and watercolors of Southwestern landscapes — at the Art Directions Gallery in New York.nnIn 1960, an exhibition of assemblages by the sculptor Mark di Suvero inspired Mr. Artschwager to begin using his woodworking skills to make his own sculpture. A year later, a photograph picked up on the street prompted him to start making paintings based on black and white photographs.nnA big break came when he sent, unsolicited, a note and slides to the Leo Castelli Gallery, New York’s leading showcase for new art. The gallery quickly took him on for a group show that included Roy Lichtenstein, Jasper Johns and Andy Warhol. He remained with Castelli for 30 years.nnIt was at the Castelli gallery, in 1965, that Mr. Artschwager had the first show of work that was recognizably his own. During the ensuing decades he participated in many important international exhibitions, including the Venice Biennale and Documenta, in Kassel, Germany.nnThe Whitney produced its first Artschwager retrospective in 1988-89. It later traveled to San Francisco, Los Angeles, Madrid, Paris and Düsseldorf. His last solo exhibition with Gagosian Gallery was last fall at its branch in Rome featuring sculptures of pianos.nn“Early and late, his work stood out for its blunt, mute weirdness,” Holland Cotter wrote in The New York Times in reviewing the recent Artschwager retrospective at the Whitney. A 1963 sculpture, “Portrait II,” for example, resembles a bedroom dresser with no drawers and a sheet of Formica where a mirror might be. The table in “Table Prepared in the Presence of Enemies” (1993) “looks like a low-rise guillotine,” Mr. Cotter wrote.nnHe added: “Violence is implicit in a lot of Mr. Artschwager’s art, which may be the most intriguing thing about it, the element that gives bite to what would otherwise pass for Magrittean whimsy.”nnMr. Artschwager’s political views were less apparent. In 2003, he painted three identically framed portraits, of a blank President George W. Bush, a smiling Osama bin Laden and a grim-looking one of himself. “Each painting looks cracked, creviced and soiled, as if just dug up from rubble,” Mr. Cotter observed.nnMr. Artschwager was married four times, the first three marriages ending in divorce. In addition to his wife, the former Ann Sebring, he is survived by his daughters Eva Artschwager and Clara Persis Artschwager</text>
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                <text> a sister, Margarita Kay, and a grandson.nnDavid Nolan, whose Manhattan gallery has shown drawings by Mr. Artschwager, said the artist had recently exhibited new paintings and works on paper that he created on a return to New Mexico, inspired in part by the colors of the landscape there he had known so well as a boy.nnWilliam McDonald contributed reporting.nnA version of this article appears in print on Feb. 11, 2013, on Page D8 of the New York edition with the headline: Richard Artschwager, Painter and Sculptor, Dies at 89. Order Reprints | Today’s Paper | Subscribe</text>
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                  <text>This section is pretty self-explanatory.  Like just about with everything on this site I am way behind.  If this site gets to stay active after I die (this possibility sits with Vassar College), eventually everyone on the site could be in this section.  I am thinking if it stays active, whether I would like to have someone else add people to this section as they die, including me.  Of Course this information would have had to cross their paths. That is something I need to think about.  If I arrange for that to happen I would have that person or those people indicate that they are the ones who added a particular name.</text>
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                <text>New York Timesnby Holland Cotter February 20, 2000  nnRichard Rosenblum, a sculptor and a collector of Asian art, died on Tuesday at his home in Newton, Mass. He was 59.nnLink -  http://www.nytimes.com/2000/02/20/nyregion/richard-rosenblum-59-sculptor-and-a-collector-of-asian-art.html</text>
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                <text>Dr. Paul HershensonnnAGE: 83 • White PlainsnnDr. Paul Hershenson, a longtime practicing internist and pulmonologist in White Plains, N.Y., died on March 8, 2017 at his home in Manhattan at the age of 83. The cause was Progressive AML. Born in 1933 in Brooklyn, Dr. Hershenson graduated from City College of New York and the Chicago Medical School, completing his residency training at Montefiore Hospital in the Bronx. He began his private practice in Ardsley, N.Y. in 1964, relocating to White Plains in 1978 and practicing full time for 52 years until becoming ill last August. He was affiliated with White Plains Hospital all his professional life. Dr. Hershenson was an avid bicyclist who spent vacations riding in the mountains of Europe and the United States. He was a frequent visitor at Manhattan art galleries and museums, as well as the Metropolitan Opera. Devoted to staying abreast of the latest developments in medicine, he also read fiction for pleasure and could usually be found with a book. Survivors include a daughter, Nina Parker (Chris), of East Islip, N.Y.</text>
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                <text>Charlie Carriero. Charlie Carriero was married to Nancy Glaser, who is Trudy Sullivan's daughter. Trudy was Paul, Teddy and Billie Sullivan's sister and is now dead. Nancy Glaser is the sister of Patty (Glaser) Orlowsky.  Charlie Carriero's obituary can be found in the Cape Cod Times, July 1, 2003.nn"Charles P. “Chuck” Carreiro, 50, who leaves a brother on the Cape, died unexpectedly Friday at his company after a brief illness.He was the husband of Sheila Ann Carreiro and the former husband of Arlene Jane (Ahola) Carreiro.Born in Norwood, Mass., he graduated from Marshfield High School. He lived in Cumberland for the past 16 years after living in Foxboro. He was owner and operator of Detailing Plus Car Reconditioning in Franklin for the past 14 years and was previously a machinist at Bird and Sons in North Walpole for 20 years. He enjoyed cars, woodworking, spending time on boats, fishing and making models."</text>
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