Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the last ten entries and the next six entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the last eleven entries and the next five entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See last twelve entries and the next four entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous thirteen entries and the following three entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous fourteen entries and the following two entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous fifteen entries and the following entry.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous sixteen entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. When we got downstairs, all of the seats were taken. It turned out they hadn't saved seats for the speakers. Luckily Suzanne Joelson had so very thoughtfully saved us seats. See the previous entry and the following fifteen entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous two entries and the following fourteen entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. The evening was co-hosted by Vincent Katz and Tammy Nguyen. See the previous three entries and the following thirteen entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. See the previous four entries and the following twelve entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous five entries and the following eleven entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the previous six entries and the following ten entries.]]> Catherine (Murphy) was invited to read t a tribute to John Yau at Poets House in NYC by Paulo Xavier. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday this close to Christmas meant particularly heavy traffic in Manhattan. I had only been to Battery Park City driving through it once. Poetry House was in a building right across from the river. After all the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was so quiet. And at night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so I could set up the thumb drive with Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. I was told they had both, but it turned out they could only accommodate PowerPoint. See the previous seven entries and the following nine entries.]]> Catherine (Murphy) was invited to read a tribute to John Yau by Paulo Xavier at Poets House in NYC. She accepted and decided to read from John Yau's Monograph on Thomas Nozkowski. She conferred with Thomas about which section to read and asked him which paintings he would like her to show while she was reading. He sent us reproductions of four paintings. It turned out that I had met Paulo at the Queens Museum a few years ago when I showed photographs in a talk about Joseph Cornell. Tammy Nguyen had visited Didier William's printmaking class at Vassar, but we hadn't met at that time. We dropped Catherine's new drawing ("Night Watch") off at the Peter Freeman Gallery before heading to Poets House. Saturday, this close to Christmas, meant that we had to deal with particularly heavy traffic in Manhattan. I had only driven through Battery Park City one other time in the past. Poets House was in a building right across from the river. Despite all of the traffic and so many people in the street (including many people dressed as Santa Claus), Battery Park City was very quiet. Night by the river was very beautiful and felt like a different city in a different place. Poetry House was quite elegant. We got there early so that I could set up the thumb drive that had Thomas' paintings on it. I had set up both a keynote and a PowerPoint presentation. The staff at Poets House told me that they had both applications. But it turned out they could only provide PowerPoint. See the last eight and the next eight entries.]]> An event at the New School on Twelfth Street, organized by AGNI magazine. Readings by Ken Kalfus and Terese Svoboda, and a tribute to Michael Mazur. Catherine Murphy and John Yau spoke about Michael's work on a panel type of format moderated by Tom Sleigh. Robert Polito hosted the event. See the following two entries.]]> An event at the New School on Twelfth Street, organized by AGNI magazine. Readings by Ken Kalfus and Terese Svoboda, and a tribute to Michael Mazur. Catherine Murphy and John Yau spoke about Michael's work on a panel type of format moderated by Tom Sleigh. Robert Polito hosted the event. See the previous entry and the following entry.]]> An event at the New School on Twelfth Street, organized by AGNI magazine. Readings by Ken Kalfus and Terese Svoboda, and a tribute to Michael Mazur. Catherine Murphy and John Yau spoke about Michael's work on a panel type of format moderated by Tom Sleigh. Robert Polito hosted the event.]]> 1988-11-11 (roll date, image #36), Trick or Treat. L - R, Robbie Mitchell, Michael Mitchell]]> It was the summer of 1956 at Lipkin's Bungalow Colony in Mt. Freedom, New Jersey. I was trying my hand at a trick photograph, albeit not too successfully.]]> Trifocular]]> Trimmed Trees]]> 2007-07-12 Tripod, These young men drove up the driveway because they saw that Alec's car did not have license plates. They drive arend asking people if they would like them to take old cars away. I told them that I thought that car was still wanted ( It turned out that Alec's brother gave him a newer car, so he is going to try and sell the old one). They told me to be sure and call them Tripod with the photograph.]]> Gary Stephan, Catherine Murphy, Suzanne Joelson and I went to a performance of dances by Trisha Brown at the Fisher Center at Bard College in Annandale, NY. We ran into The Handelsman Family there. See the previous entry and the following entry.]]> Patricia Brown and Company. Gary Stephan, Catherine Murphy, Suzanne Joelson and I went to a performance of dances by Trisha Brown at the Fisher Center at Bard College in Annandale, NY. See the previous two entries.]]> 2006-06-01 Tristan Jemielo, , Thursday - Tristan is a student of mine at Vassar and came to do work for us.]]> 2005. Trouble in Paradise, 2005, 38 x 36, oil on wood]]> Tum Magiker]]> Darrell Delivered something to the house]]> Carole and Helen had a celebration proceeding a party at Louis and Louis's. See next entry.]]> Peter Saul and Sally Saul all left before the photograph was taken. Louis Asekoff and Louise Kalin had a large Twelfth Night celebration party. Lots of food and a bonfire.]]> 2003. Twelth Avenue at 134th Street, 2003, 25 x 36 3/8, oil on canvas]]> We went to dinner at Twist, Hyde Park, NY]]> Dinner at Twist.]]> 2007. Two Arches (for Tuttle), 2007, 7 x 23, hand-dyed wool on linen]]> The two delivery guys brought a washer/dryer that we had ordered from Best Buy. This was the second delivery of the washer/dryer. The first guys were not sent with the piece of equipment needed to stack the appliances. Who's fault that was, it's hard to say, although these guys should have had that piece of equipment because I told about 10 people at Best Buy "don't forget to bring that piece of equipment". This time, I had the guys (different guys from last time) hook up the washing machine and put the dryer in the garage until we could get the installation straightened out. I called Best Buy and intensely whined at them because I was pretty annoyed, and I don't want to go to the laundromat again. They called back the next day and said that the item needed was not in GE's warehouse and needed to be backordered, and won't be here until October 19th, but they won't charge me for it because of the problem.]]> 2006-10-19 Two Couples From California, , These two couples fron California aske me to take their picture. I asked if I could take a picture of them and I asked if i could also take one with my camera.]]> 1991-04-5 (roll date, image #3), I don't remember who these men are. I will have to find the entry or my notes.]]>